John Brett. Portrait of Christina Rossetti. 1857.
Authors
Our search buttons on the right offer to sort by "Author or Creator." By "creators," we mean not simply authors of texts (criticism, poetry, essays, books), but also editors, publishers, painters, engravers, and even architects. Sometimes pictures of the latters' buildings were engraved as plates in literary annuals. This page will automatically give you creators listed alphabetically by type. You may limit or further organize your search, if you wish, using buttons on the right. Anonymous productions appear at the end of this list.
Mrs. Pickersgill
1
Mrs. Pickersgill, "The Oriental Love-Letter." in The Bijou; (London:
from The Bijou Literary Annual, 1828
The Oriental Love-Letter
By Miss Pickersgill, Authoress of Tales of the Harem
Fraser, William (1796-1854), compiler
The Poetess Archive
General Editor, and P5 encoding by
Laura Mandell
Transcribing and proofreading by
Zach Weir
1828
TEI formatted filesize uncompressed: approx. 684 kbytes
Laura Mandell, Texas A&M University
College Station, TX
20170606
Freely available via a Creative Commons Attribution-ShareAlike
4.0 International License
bijou1828.poemP38
The Bijou Literary Annual
Edited by
Laura Mandell
bijou1828-p5.xml
, 0000-0000
The Oriental Love-Letter
The Bijou;
or Annual of Literature and
the Arts
William Fraser
London
William Pickering
1828
241-343sic
This copy is transcribed from the volume held by Miami University
Special Collections Department. The page images come from the
Internet Archive: Digitized by the Internet Archive in 2011 with funding from
Duke University Libraries."
This document follows the rules specified for TEI use by NINES.
All quotation marks and apostrophes have been transcribed as entity
references.
Any dashes occurring in line breaks have been removed.
Hyphens and dashes have been coded using HTML Entity Decimal for
Unicode.
Special characters (letters with accents, etc.) have been coded using
HTML Entity Decimal for Unicode.
Page numbers appear at the beginning of each page, no matter where
originally placed.
Full Text or Citation
full text
citation only
Primary or Secondary
primary
secondary
Genre and Material Form
pageimage
biography
biographical essay
poetry pamphlet
poetry book
poem
story
drama
table of contents
table of illustrations
picture
index
notes
frontispiece
inscription page
book boards
titlepage
preface
advertisement
foreword
acknowledgments
collection literary annual
collection miscellany
collection anthology
collection beauties
collection juvenile
collection religious
collection travels
mixed
essay
review
letter
fragment poem
fragment story
fragment novel
literary criticism book
literary criticism collection
bibliography
engraving
reproduction
figure
graph
map
table
musical score
music
satire
political pamphlet
political cartoon
periodical
historical monograph
historical essay
philosophical treatise
philosophical essay
religious pamphlet
sermon
theology
religious book
essay on education
educational treatise
list of subscribers
allegory
introduction
slipcase
dedication
picture of building
floorplans
photograph
translation
manuscript
printersmark
Library of Congress Subject Headings, reduced to one word before
hyphen
ARC Genre Categories, July 1, 2017
Advertisement
Animation
Bibliography
Catalog
Chronology
Citation
Collection
Correspondence
Criticism
Drama
Ephemera
Essay
Fiction
Film, Documentary
Film, Experimental
Film, Narrative
Film, Other
Historiography
Interview
Life Writing
Liturgy
Musical Analysis
Music, Other
Musical Work
Musical Score
Nonficition
Paratext
Performance
Philosophy
Photograph
Political Statement
Poetry
Religion
Reference Works
Review
Scripture
Sermon
Speech
Translation
Travel Writing
Unspecified
Visual Art
ARC Format Categories, July 1, 2017
Codex
Collection
Dataset
Drawing
Illustration
Interactive Resource
Manuscript
Map
Moving Image
Notated Music
Page Proofs
Pamphlet
Periodical
Physcial Object
Roll
Sheet
Sound
Still Image
Typescript
British Library Shelf Mark
Poetess
The Bijou
Literary Annual
Fraser, William (1796-1854)
poem
The Oriental Love-Letter
Miss Pickersgill, Authoress of Tales of the Harem
20191102
Laura Mandell
Added new taxonomies in bijou1828-p5 and into part headers using splurgeOutBijou.xsl
desc.
20190110
Laura Mandell
Added new taxonomies into headers using 'changeHeader.xsl' and expanded profile
desc.
20181104
recoded bijou1828-p5.xml for errors and IIIF image server
Laura Mandell
20170602
transformed to P5, adding images, and cleaned up TEI
Laura Mandell
20051024
encoding by
Laura Mandell
and Zach Weir XML coding; XSL application: Oxygen
The Bijou;
or Annual of Literature and the Arts
compiled by William Fraser
William Pickering
London
1828
pp. 241-343sic
The Oriental Love-Letter
By Miss Pickersgill,
Authoress of Tales of the Harem
The Sun in parting splendor set
On mosque, and dome, and minaret,
And many a golden ruddy beam
Lit up each pure and gushing stream;
And leaves and flowers were gemm'd with dew,
Lavished on buds of every hue,
Which like a fair Sultana's zone,
Or coronal of Peri shone.
And in her own sequester'd bower,
Within the Harem's still retreat,
Sitara at that lovely hour;
Of Eve had chos'n her lonely seat;
For on embroidered couches lay'd,
Reclin'd the pensive Moslem maid.
In vain the beauteous woodbines wound,
Like Love's light bonds the casement round,
Wafting their tribute of perfume
And laughing in their roseate bloom;
For all neglected lay her lute
Whose every moving strain was mute!
No longer was her buoyant song
Borne by the southern breeze along,
Nor flowers, nor lute, nor sparkling stream,
Could woo her from Love's witching dream.
Though close within her Harem bower,
They deem'd her safe from Love's fond power,
Yet in what deep sequester'd cell
Will not the winged urchin dwell:
For e'en within a flow'ry wreath
Young Love his first fond vows may breathe;
And in bright emblem flowers declare,
Joy —absence—thraldom —hope—despair!—
Perchance amidst those flowers he dwells,
Nestling beneath the myrtle bells,
And on its fragrance wafts a sigh
While sunned beneath her radiant eye.
And e'en those buds of crimson hue
Breathe vows of love both pure and true,
While the bright golden flowret bears,
His ever changing hopes and fears,
And Beauty's type, the joyous rose,
Unfolds the soft and flattering tale,
That her young cheek with luster glows,
Which makes his vaunted bloom seem pale.
Then may not her young bosom well,
Receive the vows those emblems tell;
And her dark downcast eyes reveal
Thoughts which her tongue might else conceal? —
And why then from the garland's pride
Does she those simple flowers divide,
And place them pensively apart,
As if some chord within her heart
Vibrated? Know amidst their bloom
Those purple buds of absence breathe,
Which well might shed a passing gloom
O'er her fair brow. Did not the wreath
Of fairy hope from spring's bright bowers
Shine in those tufts of snowy flowers,
Which, joined with Memory's solace still,
Shields Love's young buds from winter's chill.
, 1828)View: HTML | XML