John Brett. Portrait of Christina Rossetti. 1857.

Authors

Our search buttons on the right offer to sort by "Author or Creator." By "creators," we mean not simply authors of texts (criticism, poetry, essays, books), but also editors, publishers, painters, engravers, and even architects. Sometimes pictures of the latters' buildings were engraved as plates in literary annuals. This page will automatically give you creators listed alphabetically by type. You may limit or further organize your search, if you wish, using buttons on the right. Anonymous productions appear at the end of this list.

Mrs. Pickersgill
1
Mrs. Pickersgill, "The Oriental Love-Letter." in The Bijou; (London: from The Bijou Literary Annual, 1828 The Oriental Love-Letter By Miss Pickersgill, Authoress of Tales of the Harem Fraser, William (1796-1854), compiler The Poetess Archive General Editor, and P5 encoding by Laura Mandell Transcribing and proofreading by Zach Weir 1828 TEI formatted filesize uncompressed: approx. 684 kbytes Laura Mandell, Texas A&M University College Station, TX 20170606 Freely available via a Creative Commons Attribution-ShareAlike 4.0 International License bijou1828.poemP38 The Bijou Literary Annual Edited by Laura Mandell bijou1828-p5.xml , 0000-0000 The Oriental Love-Letter The Bijou; or Annual of Literature and the Arts William Fraser London William Pickering 1828 241-343sic This copy is transcribed from the volume held by Miami University Special Collections Department. The page images come from the Internet Archive: Digitized by the Internet Archive in 2011 with funding from Duke University Libraries." This document follows the rules specified for TEI use by NINES. All quotation marks and apostrophes have been transcribed as entity references. Any dashes occurring in line breaks have been removed. Hyphens and dashes have been coded using HTML Entity Decimal for Unicode. Special characters (letters with accents, etc.) have been coded using HTML Entity Decimal for Unicode. Page numbers appear at the beginning of each page, no matter where originally placed. Full Text or Citation full text citation only Primary or Secondary primary secondary Genre and Material Form pageimage biography biographical essay poetry pamphlet poetry book poem story drama table of contents table of illustrations picture index notes frontispiece inscription page book boards titlepage preface advertisement foreword acknowledgments collection literary annual collection miscellany collection anthology collection beauties collection juvenile collection religious collection travels mixed essay review letter fragment poem fragment story fragment novel literary criticism book literary criticism collection bibliography engraving reproduction figure graph map table musical score music satire political pamphlet political cartoon periodical historical monograph historical essay philosophical treatise philosophical essay religious pamphlet sermon theology religious book essay on education educational treatise list of subscribers allegory introduction slipcase dedication picture of building floorplans photograph translation manuscript printersmark Library of Congress Subject Headings, reduced to one word before hyphen ARC Genre Categories, July 1, 2017 Advertisement Animation Bibliography Catalog Chronology Citation Collection Correspondence Criticism Drama Ephemera Essay Fiction Film, Documentary Film, Experimental Film, Narrative Film, Other Historiography Interview Life Writing Liturgy Musical Analysis Music, Other Musical Work Musical Score Nonficition Paratext Performance Philosophy Photograph Political Statement Poetry Religion Reference Works Review Scripture Sermon Speech Translation Travel Writing Unspecified Visual Art ARC Format Categories, July 1, 2017 Codex Collection Dataset Drawing Illustration Interactive Resource Manuscript Map Moving Image Notated Music Page Proofs Pamphlet Periodical Physcial Object Roll Sheet Sound Still Image Typescript British Library Shelf Mark Poetess The Bijou Literary Annual Fraser, William (1796-1854) poem The Oriental Love-Letter Miss Pickersgill, Authoress of Tales of the Harem 20191102 Laura Mandell Added new taxonomies in bijou1828-p5 and into part headers using splurgeOutBijou.xsl desc. 20190110 Laura Mandell Added new taxonomies into headers using 'changeHeader.xsl' and expanded profile desc. 20181104 recoded bijou1828-p5.xml for errors and IIIF image server Laura Mandell 20170602 transformed to P5, adding images, and cleaned up TEI Laura Mandell 20051024 encoding by Laura Mandell and Zach Weir XML coding; XSL application: Oxygen The Bijou; or Annual of Literature and the Arts compiled by William Fraser William Pickering London 1828 pp. 241-343sic The Oriental Love-Letter By Miss Pickersgill, Authoress of Tales of the Harem The Sun in parting splendor set On mosque, and dome, and minaret, And many a golden ruddy beam Lit up each pure and gushing stream; And leaves and flowers were gemm'd with dew, Lavished on buds of every hue, Which like a fair Sultana's zone, Or coronal of Peri shone. And in her own sequester'd bower, Within the Harem's still retreat, Sitara at that lovely hour; Of Eve had chos'n her lonely seat; For on embroidered couches lay'd, Reclin'd the pensive Moslem maid. In vain the beauteous woodbines wound, Like Love's light bonds the casement round, Wafting their tribute of perfume And laughing in their roseate bloom; For all neglected lay her lute Whose every moving strain was mute! No longer was her buoyant song Borne by the southern breeze along, Nor flowers, nor lute, nor sparkling stream, Could woo her from Love's witching dream. Though close within her Harem bower, They deem'd her safe from Love's fond power, Yet in what deep sequester'd cell Will not the winged urchin dwell: For e'en within a flow'ry wreath Young Love his first fond vows may breathe; And in bright emblem flowers declare, Joy —absence—thraldom —hope—despair!— Perchance amidst those flowers he dwells, Nestling beneath the myrtle bells, And on its fragrance wafts a sigh While sunned beneath her radiant eye. And e'en those buds of crimson hue Breathe vows of love both pure and true, While the bright golden flowret bears, His ever changing hopes and fears, And Beauty's type, the joyous rose, Unfolds the soft and flattering tale, That her young cheek with luster glows, Which makes his vaunted bloom seem pale. Then may not her young bosom well, Receive the vows those emblems tell; And her dark downcast eyes reveal Thoughts which her tongue might else conceal? — And why then from the garland's pride Does she those simple flowers divide, And place them pensively apart, As if some chord within her heart Vibrated? Know amidst their bloom Those purple buds of absence breathe, Which well might shed a passing gloom O'er her fair brow. Did not the wreath Of fairy hope from spring's bright bowers Shine in those tufts of snowy flowers, Which, joined with Memory's solace still, Shields Love's young buds from winter's chill. , 1828)View: HTML | XML

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